“Power to the People?”: Patronage, Intervention and Transformation in African Performative Arts

Citation:

de Haas, R., et al., 2020. “Power to the People?”: Patronage, Intervention and Transformation in African Performative Arts. Matatu: Journal for African Culture and Society, 51.

Recent Publications

Ndogo, S., 2020. The City and the Comic: Gikuyu Comedies in Nairobi. Matatu, 51, p.43–63.

de Haas, R., et al., 2020. “Power to the People?”: Patronage, Intervention and Transformation in African Performative Arts. Matatu: Journal for African Culture and Society, 51.

de Haas, R., et al., 2020. Introduction:“Power to the People?”—Patronage, Intervention and Transformation in African Performative Arts. Matatu, 51, p.11–21.

Ndogo, S., 2019. Self-Determination and Resistance in Adversarial Contexts: A Reading of Ng{\~u}g{\~ı wa Thiong’o’s Detained: A Writer’s Prison Diary. LIFT: The Journal of African Literature, Film and Theatre-Dialogues in African Literature, Film and Theatre, 1.

Ndogo, S., 2017. Locating the Childhood Memoir in Colonial Violence. In Tracks and Traces of Violence. Representation and Memorialisation of Violence in Africa in Art, Literature and Anthropology. LIT Verlag, Berlin & Zurich, p. 73–93.

Ndogo, S., 2016. Narrating the Self and Nation in Kenyan Autobiographical Writings, LIT Verlag Münster.

Samuel Ndogo

Senior Lecturer, African Literature, Theatre and Performing Arts, Cultural Studies

“Power to the People?”: Patronage, Intervention and Transformation in African Performative Arts

Citation:

Recent Publications

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