Citation:Mboya, T.M., 2009. Sex, HIV/AIDS and ‘tribal’politics in the Benga of Okatch Biggy. Postcolonial text, 5, p.2–12.Export Google Scholar
Mboya, T.M., 2020. Music, Identity and History: Reading Kalenjin Popular/Traditional Music. In Moi University African Cluster Centre Workshop. 29 October. Sirikwa Hotel, Eldoret.
Mboya, M.T., 2020. “Music is Sweet When Your Praises Are Sung”: Pleasure and Power in the ‘Live Band’Music Performances of Ja-Mnazi Afrika in Eldoret, Kenya. Matatu, 51, p.209–223.
Mboya, T.M., 2019. I don’t believe anybody will be so unlike other People irony and anxiety about the Nigerian Nation in Chinua Achebe’s is a Private Affair.
Mboya, T.M., 2019. “I have a story about Nairobi”: narrator unreliability, ethnicity and the imagination of the Kenyan nation in “Khandpaka” by Awillo Mike and Ja-Mnazi Afrika. Social Dynamics, 45, p.395–409.
Mboya, T.M., 2019. ‘Men Are Not Taken as Lightly as That’. Egerton Journal of Humanities and Social Sciences, 12.
Mboya, T.M., 2019. Popular Music, Ethnicity and Politics in the Kenya of the 1990s: Okatch Biggy Live at “The Junction.” ISBN (10) 1-5275-2674-7 ISBN (13) 978-1-5275-2674-7., Newcastle: Cambridge Scholars Publishing.