Citation:Mboya, M.T., 2009. ‘My voice is nowadays known’, Okatch Biggy, Benga and Luo identity in the 1990s. Muziki, 6, p.14-25.ExportDOI Website Google ScholarDOI
Mboya, T.M., 2020. Music, Identity and History: Reading Kalenjin Popular/Traditional Music. In Moi University African Cluster Centre Workshop. 29 October. Sirikwa Hotel, Eldoret.
Mboya, M.T., 2020. “Music is Sweet When Your Praises Are Sung”: Pleasure and Power in the ‘Live Band’Music Performances of Ja-Mnazi Afrika in Eldoret, Kenya. Matatu, 51, p.209–223.
Mboya, T.M., 2019. “I have a story about Nairobi”: narrator unreliability, ethnicity and the imagination of the Kenyan nation in “Khandpaka” by Awillo Mike and Ja-Mnazi Afrika. Social Dynamics, 45, p.395–409.
Mboya, T.M., 2019. ‘Men Are Not Taken as Lightly as That’. Egerton Journal of Humanities and Social Sciences, 12.
Mboya, T.M., 2019. I don’t believe anybody will be so unlike other People irony and anxiety about the Nigerian Nation in Chinua Achebe’s is a Private Affair.
Mboya, T.M., 2019. Popular Music, Ethnicity and Politics in the Kenya of the 1990s: Okatch Biggy Live at “The Junction.” ISBN (10) 1-5275-2674-7 ISBN (13) 978-1-5275-2674-7., Newcastle: Cambridge Scholars Publishing.