The City and the Comic: Gikuyu Comedies in Nairobi. Matatu, 51, p.43–63.
, 2020. Publications
, 2020.
“Power to the People?”: Patronage, Intervention and Transformation in African Performative Arts. Matatu: Journal for African Culture and Society, 51.
, 2020. Self-Determination and Resistance in Adversarial Contexts: A Reading of Ng{\~u}g{\~ı wa Thiong’o’s Detained: A Writer’s Prison Diary. LIFT: The Journal of African Literature, Film and Theatre-Dialogues in African Literature, Film and Theatre, 1.
, 2019. Locating the Childhood Memoir in Colonial Violence. In Tracks and Traces of Violence. Representation and Memorialisation of Violence in Africa in Art, Literature and Anthropology. LIT Verlag, Berlin & Zurich, p. 73–93.
, 2017. Narrating the Self and Nation in Kenyan Autobiographical Writings, LIT Verlag Münster.
, 2016. The BIGSAS World 2012-2013. The BIGSAS World, 2012.
, 2014. Tributes to Chinua Achebe, 1930-2013: ALA Annual Conference, College of Charleston, 2013. Journal of the African Literature Association, 8, p.10–31.
, 2014. Losing Innocence, Gaining Awareness: The Second Volume of Ngugi wa Thiong’o’s Memoirs. Online Journal of African Affairs, 2(4), p.62–63.
, 2013.
, 2011.
Post-Modernism or Chaos? Theoretical Considerations in reading new directions in some cultural practices in Kenya. In Nadharia Katika Taaluma ya Kiswahili.
, 2008. Narrative Technique and Identity Crisis in Ralph Ellison’s Invisible Man. MAARIFA: A Journal of Humanities and Social Sciences, 2, p.7–17.
, 2007. Sex and The City: Sex and Sexuality as a Troping Device in the Urban Novel, Examples from Omondi Mak’Oloo’s Times Beyond and Ben Mtobwa’s Dar es Salaam By Night. MAARIFA: A Journal of Humanities and Social Sciences, 2, p.281–291.
, 2007. The Place of Theory in Literary Criticism. Oasis, 1, p.11–14.
, 2003.